About Image Cropper
Drag the frame or type exact pixel values — the numeric fields and the handles drive the same rectangle, so a rough drag can be finished precisely. The download is drawn fresh from the kept region only, which means the discarded area is absent from the file rather than hidden inside it.
Cropping and resizing answer different questions, and mixing them up produces stretched faces and squashed logos. Resizing changes how many pixels an image has while keeping everything in frame; cropping changes what is in frame while keeping every remaining pixel exactly as it was. When a picture has to fit a shape that is not its own — a square avatar from a landscape photo, a 16:9 banner from a portrait shot — cropping to the ratio first is the move that avoids distortion, because no combination of width and height changes can fix a shape mismatch.
The frame here works at two speeds. Drag the handles for the rough gesture, with a rule-of-thirds grid overlaid because the strongest crops usually place the subject on a third rather than dead centre. Then type exact pixel values when precision matters — a platform demanding 1200×630, a sprite that must align to even numbers, a batch of images that all need identical framing. A ratio preset locks the shape through both kinds of adjustment, so hitting 1:1 or 16:9 exactly requires no arithmetic.
What ends up in the download deserves spelling out, because not every crop is a removal. Cropping in Word or PowerPoint stores a display instruction with the whole picture still in the file, and a notorious family of screenshot bugs shipped edits patched into the original file with the discarded data still trailing behind it. Here the export is a new image drawn only from the kept region: the area outside the frame is not dimmed, hidden or trailing — it does not exist in the output, and neither does the original's metadata, which does not survive re-encoding.